Friday, February 25, 2011

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NOT TO DIE: breaking

PROGRAM
photo: ll


FOR NOT DYING
DO NOT WRITE MORE ...
AFTER.
AND PICK UP THE REST OF OUR WASTE

AND FORFEITURE

AFTER THE STORM AFTER THE DAY
MULTI DISCIPLINARY
AFTER ATTACK IN CULTURAL MUSEUM OF SIR SYLVIO ARRIOLA
EXPECTED AFTER THE EVENT FOR NEARLY SIX MONTHS TO BECOME

FAUST
BECOME ROSA LUXEMBOURG
BECOME RAYMOND LUCE
BECOME ALAIN HAMEL
BECOME MARIE GIGNAC
BECOME ERICK ORION
HANNA TO BECOME ABD EL NOUR
BECOME MARIE GUAY GINETTE
BECOME FRÉDÉRICK CARRIER
BECOME BECOME

BECOME

ME

IN HALL OF NATIONAL MUSEUM OF FINE ARTS
ON THE SNOW AND THE BLOOD OF THE PLAINS OF ABRAHAM
IN THE BELLY OF THE VACUUM IN HUMAN BRAIN
PASSED BY NOSE

BECOME
NOT TO DIE

BECOME A MASS FOR THE WHITE PAPER
CELL FATE OF RED BRICK
black ink
BODY UNDER THE SOLE

to depict
WRITE NOTHING TO SAY AN EVENING
mimic HIS SOUL
BREAKING THE MIRROR


ENTER THE FAUST OF URD
OUT OF OUR OLD HELL
ENTER THE NEW COAL BURNING
HAVE EYES FULL OF LIGHT
FLOOD IN THE HAIR
FINGER ON THE MASSES SKULL NU



Sylvio Arriola by Nicola-Frank Vachon



AROUND THE AUDACITY OF THE TRANCE MUSIC
OUR SMILES



DANCING TO THINK DYING

Hatching
ACT

To recreate
ABOMINABLE

SKIM AND KILL

TO FOLD UNFOLD

BREAKING
ACCESS


POLISHING
ROUILLER
WHITENING
BLACKENED

FOR SUCCESSOR TO PISS


SPITTING
piss
CRAVACHE
RAVAL


EXTRACT FOR TRAVEL

ADVANCE
BACK REPEAT



SILENCE FOR FEAR NO LONGER
defrocked OF ART FOR MOUNTING


DOWN THE STAIRS TO HINDER

OVERLOOKING

FOR DRILLING THE MYSTERY OF BODY




TO VIEW THE MELTING WHITE EYE IN THE
BROWN BLUE GREEN YELLOW RED BLACK
TO HANG THE SKELETONS IN CLOSETS
FOR THE PROSECUTION shine OF FINE ARTS
TO ACCESS THE SUBSTANCE OF THE MISERY OF GODS
FOR CROSS NAMES AND SETTINGS FOR CLOTH
SHEETS AND BARE
HE FILLED THE HOLLOW IN THE BELLY TO ABSORB


REGURGITATION

FOR SEE A MAN SITTING IN THE MIDDLE OF OTHER

THROUGH HIS HEAD FOR SWIMMING

DO NOT DIE FOR SPRING
FOR CLEAN AND REVIEW THE COASTAL OCEAN


NOT REALLY KNOW WHAT MORE TO SAY AFTER
DO ALMOST ANYTHING MORE THAN SEE OR HEAR THE NEXT
hubbub of
THAT QUIET FIRE TEMPLES OF OUR AÏEUX
THE WHITE MORE OR LESS DANGEROUS THAN THE BREATH
INSPIRED OF SOLITARY

FLARE / Gleam / COOK
SITTING / ACCRUING / quest
CIRCLE / CONTINUE /
TALK TO PUSH / HARVESTING / SURVIVE
glare / transvestites / ENCHANTED
SETTLE / CHOPPING / FEED

RUN MAN IN THE ROUND
LOOK FAR IN HIS JAIL HIM GATHER
its resemblance
FOR HIM PROMISE OF UTOPIA
EXPECTATIONS FOR ITS CULTURE

TO DO TO REBOUND IN JUNE
THE GREEN ROOF OF HIS CITY TO BRING

BY THE BRAIN AND THE NOSE ...



PLEASE DO NOT applaud but DO AS IF ...

SAY THANK YOU SIMPLY





URD THEATRE
Not To Die
In Situ Performance
24, 25 and 26 February, 20h ...
National Museum of Fine Arts du Québec Parc des Champs
-de-Bataille Quebec
(QC) G1R 5H3
Course: Hall - Room Riopelle - Cells
$ 15 (Subscribers, Friends and Students : 13 $)
Limited seating.
Reservations required at 418 643-2150


Around the Faust myth How to fix the naked eye this our collective experience, always excruciating for a minimally sensitive soul? By living in a prison and dreaming its buried secrets and false promises. How to hear the cries of our concerns? By signing a pact to cross this new century, as we are now becoming our common destiny. Not To Die is a theatrical feast that makes the establishment of a memory to torment haunted by the challenges of our human history. Creator of daydreams, inventor of images, sounds and spaces, our Faust is an alchemist, the master of ceremony in charge of excess and exuberance, but also of ambition and audacity. Resistance to loneliness, to melancholy and cruelty of the tragic events. Odes to the beauty, love and the eternal feminine. Our Faust is an "angel of history" who sing, dance and celebrate life. Hopes his word justice. It should be there for a sensory experience unusual, absolutely yes!

URD THEATRE

Performer: Sylvio Arriola
Space and design: Elise Dube and Danielle Boutin
Light: Martin Sirois
Space Sound: Erick Orion
Cinema and Photography: Elias Djemil
dramaturg: Emily Martz-Kuhn
Musicians guests: Frederick Carrier and Luke Dawson
Coordination: Fanny Hénon-Levy
Graphics and Communication Tools: Mario Villeneuve
Production Director: Elise Coulombe
Art Direction and staging: Hanna Abd El Nour

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